Corban Wilkin: Illustrator


A Way That Works

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My graphic novel project with G. Neri has been in progress for a year now. The end may or may not be in sight, however.

I’m actually now redrawing a number of early pages. I started drawing the book at too-small a size, and I decided I wasn’t happy with it, and reformatted to a weird paper size I’m cutting myself (I’m envious of US paper sizes, since the standard formats we get here in the UK never feel quite right (or maybe I’m just that picky)). So I knew I needed to come back to those pages. Since I’ve had something of a deadline extension, I’m able now to go over some of this huge project and spend a bit more time on what’s be2en some truly tricky drawing.

In addition, I’ve been writing a ton of comics short stories, which has been a lot of fun.
Redraughting and drawing them up is a different matter, though. That’s the curse of comics: it’s all so time intensive, but I’d love to find a way to draw my comics quick n’ dirty in a way that works. At least I’m not an animator.

Currently obsessed with: Toulouse Lautrec’s sketches and drawings. He’s very much an illustrator’s fine-artist. Drawings have to have outlines or my puny mind can’t make sense of them.

Also: Scott McCloud’s The Sculptor. Which I’ve read about four times now and may be the most novel-like comic I’ve ever read. Nothing else I’ve seen by a single creator is as successful as this at giving you the scope and depth of a novel. I understand it divides opinion, mostly due to the kitschy nature of the eponymous sculptor-main-character’s art (according The Comics Journal, anyway), and I’d noted that, too, but in book on this scale, there’s bound to be criticisms of some elements. But the thing as a whole: wow, it’s a great comic.

And that’s Corban’s totally-late-to-the-party review.



Patience is Passion Tamed
June 28, 2015, 16:28
Filed under: comics, graphic novels, sketchbook | Tags: , , , , , ,

One of the things that used to cause me no end of frustration when I would draw outside, from life, would be the necessity, sometimes, of drawing buildings. They’re always there, looming above us, often dominating the field of view. You can ignore them for a while, drawing a person here, a tree there, but if you want to depict any scenes from the modern world, buildings and architecture have to get in on your compositions.

It’s only in the last couple of years that I’ve actually taken to drawing buildings: somehow having gained enough self-assurance that I can feel comfortable sitting for long periods of time putting together an office block line by line. When you start to embrace it, it becomes something meditative and fulfilling completely in its own right. These days, in fact, I tend to enjoy sketching urban landscapes more than people, who have the highly disagreeable habit of moving around.

Below: a few pages from a small sketchbook that survived a recent trip to the West Highlands with only moderate water damage.

Meanwhile: back to working on the sketches for my graphic novel collaboration with Greg Neri.

scotland sketchbook (1) scotland sketchbook (2) scotland sketchbook (3) scotland sketchbook (4) scotland sketchbook (5) scotland sketchbook (6)



The Icing on the Cake
March 31, 2015, 18:42
Filed under: comics, graphic novels, illustrations | Tags: , , , , ,

courtroom-cake-illustration-vignetted-small

In addition to writing and roughing the ridiculously long and totally gotten-out-of-hand graphic novel that I’ve been wrestling with for some time now, I’ve been doing some work recently with Stargazy Studios, doing character illustrations and frames and even some level concept-design for smartphone games. Take a look at Stargazy Studios’ portfolio page to see some cool stuff.

Below: scattered with abandon across my studio floor, we’ve got some pencils for game-character frames on the left; to the north-east we have just a few of many-(many)-hundreds of pages of notes, thumbnails, and sketches for a story; and in the bottom right: horse-drawing practice.

montage