Corban Wilkin: Illustrator


What Goes Around

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So cx88spvxcaah7wjthis is just one illustration for an upcoming info-comic-book, pamphlet, public-information type-thing, that I’ve been working on with the Supergen Bioenergy Hub. It shows energy crops being grown to produce bioenergy and reabsorb emissions released by the previous generation of energy crops, ad infinitum. Drawn with a brush and ink, but coloured digitally!

Several other artists have been working on the project alongside me, including the brilliant John Swogger whose blog is extraordinarily active and interesting. Check him out.

More on this project soon. Also, A Dream of a Low Carbon Future, shown in my last blog post, is out in print and digital format.

Here’s a review of it.

 

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Keep Dreaming

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Take a look at just-a-few panels from my comic for the upcoming graphic anthology novel science book educational kids thing, A Dream of a Low Carbon Future, presented by Leeds University’s Doctoral Training Centre in Low Carbon Technologies.

The book’s a multi-character exploration of a future Britain shaped by climate change and showing how human society can use technology and new ways of living to adapt to a changing world.

The story I worked on is about a girl out of time, obsessed with a past which everyone around her sees as obsolete. It’s a sort of central narrative which ties together other parts of the book.

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Colouring In

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All I’ve been doing for the last month is colouring comics digitally, but I’m finally done, and not a moment too soon. I need to get my hands back on some physical drawing stuff before I lose my mind!

Above: an unused illustration for A Dream of a Low Carbon Future. Looks like brown crayon in the lower part there, but it’s just pixels.



Inkin’ it Large

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I’ve been in the habit, for a long time, of drawing TOO SMALL! So right now, working on the Low Carbon Future graphic novel project with Leeds University, I’m drawing these pages at the largest scale I’ve ever done for a comic, and I have to say, it’s very refreshing.

These pages I’m doing are to be printed around A4 size (210x297mm), which is large, so I’m drawing them at something like 500x720mm, not far off A2, which is gargantuan. I think people used to draw comics on paper that large, to be printed on big full newspaper pages, and they scanned them with those massive old drum scanners you don’t see anymore.

Admittedly, I am making this easier for myself by using the ‘french graphic album method’ of drawing two half-pages and then printing them together. It makes having the thing on your drawing board a lot less cumbersome. Anyway, more on this when it’s looking finished.